For those who recognized the power behind this incredible vocalist and were mesmerized by her tantalizing lyrics, they knew Hidden Beach was on to something great and Jill Scott was it. It was Jand the new label, standing behind quality music and quality artists, Hidden Beach launched this album. It is hard to fathom almost 15 years have passed since the release of her debut album, the monumental and ground breaking “Who Is Jill Scott?” Words & Sounds Vol. And Jill continues to be a mainstay on the music front and time flies. So much has been said, so many lyrics sang. Folks who know the rough and tumble of life, love right, love wrong, passion misspent, passion fulfilled, lonely nights and empty days and everything in between declare, ‘Yeah, girl!,’ ‘Go ‘head on!’ and ‘I feel ya’. It is that authenticity that has endeared Jill Scott to everyday music buyers who hear what she’s saying through her music and respond according. She’s upfront, in-your-face always real, using her own distinctive poetry to breathe life into words, digging inside to bring forth the accompanying emotion. While vivid imageries, metaphor analogies are her stock in trade, there’s no pretense, no hiding. Simply put, if Jill Scott feels it, she writes and sings it. Yandex 4shared mega mediafire uloz.to cloudmailru uptobox ge.She is an artist with an abiding, deep commitment to lyrical honesty and musical integrity. This is 21st century Philly soul at its best. On The Light of the Sun, Scott sounds more in control than ever her spoken and sung phrasing (now a trademark), songwriting, and production instincts are all solid. Scott lays down the spoken word "Womanifesto" that recalls the poetry of her early career, just before the steamy, sexual "Rolling Hills" touches on jazz, blues, and late-'70s soul with effortless ease to close it. "Making You Wait" is another self-determination anthem that addresses romance, with spacious Rhodes and synth strings weaving beats together. The sparsely produced "Quick" (produced by Wayne Campbell) records the heartbreak in the brief relationship that produced her son.
After the album's first third, it's all Scott, and (mostly) all sublime. Fresh on "All Cried Out Redux," complete with ragtime piano sample, is a novelty number that works. That said, the rhythm collision with human beatbox Doug E. There is one misstep here: "So Gone (What My Mind Says)" didn't require Paul Wall's tired, generic, boastful rapping to work. It's a militant, funky soul, kiss-off tune, that declares: "I've been waiting for so long/but somebody else has been sniffing at my dress." "Hear My Call" is literally a prayer for healing with its elegantly arranged strings, it's as heartfelt and humble as desperate need can be. One of the sleepers on the set is the stunning "La Boom Vent Suite," a sultry number produced by Scott and Hutson. "Shame" (featuring Eve & the A Group), is grand, old-school funk with killer backing vocals that range from P-Funk-esque vocal choruses to doo wop with sampled classic ska as Scott raps defiantly with Eve. The hit pre-release single "So in Love," produced by Kelvin Wooten, is a modern Philly soul fan's dream, with its lithe, fingerpopping bassline, shimmering drums, and seeming bliss arising between Scott and Anthony Hamilton, who turn in a grand duet performance. Poetry and song are woven with elegance in a nocturnal groove. Scott expresses spoken and sung gratitude for and about her new baby, career, life, and support system.
Opener "Blessed," produced by Dre & Vidal, kicks it off in slippery, hip-hop soul style a harp, strings, and a fluttering dubwise bassline underscore the shuffling rhythm. are the album's executive producers they also collaborate in songwriting and arrangements on numerous selections. The Light of the Sun is a record of the rocky road to empowerment. 1 Ladies' Detective Agency, and signing with Warner Bros. 3: a divorce, a brief but intense love affair that produced a child, acting roles in Tyler Perry's Why Did I Get Married? and Hounddog, her starring role in HBO's The No. Jill Scott has been through many changes since 2007's The Real Thing: Words & Sounds, Vol.
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